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John Carlini
- Berkeley Heights, NJ
- United States
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A companion forum to my column in Flatpicking Guitar Magazine. Discussion will include fingerboard harmony, practice techniques, swing and jazz styles, all with a goal of achieving constant improvement.
A companion forum to my column in Flatpicking Guitar Magazine. Discussion will include fingerboard harmony, practice techniques, swing and jazz styles, all with a goal of achieving constant improvement.
A companion forum to my column in Flatpicking Guitar Magazine. Discussion will include fingerboard harmony, practice techniques, swing and jazz styles, all with a goal of achieving constant improvement.
John,
Looking forward to participating in this group. Like many others I've enjoyed your FGM column for years. I've mainly been a Bluegrasser but have been really immersing myself in jazz and swing lately, so the current series you're doing is ve...
A companion forum to my column in Flatpicking Guitar Magazine. Discussion will include fingerboard harmony, practice techniques, swing and jazz styles, all with a goal of achieving constant improvement.
A companion forum to my column in Flatpicking Guitar Magazine. Discussion will include fingerboard harmony, practice techniques, swing and jazz styles, all with a goal of achieving constant improvement.
A companion forum to my column in Flatpicking Guitar Magazine. Discussion will include fingerboard harmony, practice techniques, swing and jazz styles, all with a goal of achieving constant improvement.
Profile Information
- Favorite Flatpickers
- Tony Rice
Clarence White
Pat Martino
Many, many more
- Favorite Flatpicking Tunes
- The Entire Bluegrass Song Book
The Entire Great American Songbook
- Favorite Guitars
- Martins, Gibsons, D'Angelicos, etc.
- Tell us more about yourself (place a Bio here if you wish)
- Fortunate to have been born into a fantastic musical family. Learned to read music and play piano at very early age. 1st fretted instrument was ukelele, age 7. Began playing guitar at age 10, 5-string banjo at age 15. Began following Wes, Django, Earl Scruggs, and Bach.
Still following them!
- Do you have a website?
- http://www.johncarlini.com
Comment Wall (18 comments)
- At 1:09pm on September 4, 2009,
Jake Cohan said…
- Love your teaching style. Your contribution to the magazine has helped me become a much better musician. Thanks John!
- At 10:43am on July 31, 2009,
Lance Logan said… - as long as you know where it came from ... you know how it is with stealing licks!
- At 7:34pm on July 30, 2009,
Lance Logan said…
- As for the writing, well, the people I know talk incessantly so I have a lot of time to think about what I would say if I should ever get an opportunity to place a word in edgewise.
- At 8:19am on July 22, 2009,
Lance Logan said…
- If music were the universal language, my playing would quickly drop out of the conversation!
I think my next level involves returning to the source(s) and re-discovering the magic.
Music without spirit is merely sound.
Lance
- At 7:09pm on July 20, 2009,
Lance Logan said…
- Gee, I don't know about that. I mean, Lonesome Dove is the finest collection of stolen licks in the history of regional American literature. McMurtry just added a bunch of characters, and we love him for that.
- At 1:54pm on July 13, 2009,
Mark Felton said… - Thanks John! I'm looking forward to yet another way to broaden my musical horizons and get (back) on that path of continuous improvement. Thanks for hosting!
Mark
- At 4:41pm on July 11, 2009,
Eric Wall said… - John,
I actually have your column on the Crab Walk from Flatpick Magazine. I sent the post after I went through it. It is a finger burner but a great exercise. I'm going to try it on my archtop and pretend it's easier.
Thanks,
Eric
- At 12:33pm on January 25, 2009,
DOMINIC FRINZI said… - unfortunately i moved away from my teacher and was gone for 17 years. by the time i got back he had passed. anyway my problem as i see it is putting together solos, and a sound. i feel that the main problem is just playing more, i got into this rut of just practicing scales cause it's easy mindless stuff and it keeps my chops up but does nothing for the mental side of things. i have a vibe player i mess around with sometimes who is a PLAYER. he comes up with these scale and chord centers and spouts this formula stuff but doesn't seem to be able to explain to me what the actual thought process is (for various reasons that don't need mentioning) anyway i get frustrated cause he just blows by me.
anyway i'd love to find out where i can unlock this formula
- At 5:16pm on January 23, 2009,
Alan Aleksander said… - Thanks John,
I was just trying to figure out if the discussions were likely to center on things that you had put in FGM or just be general in nature.
Alan
- At 9:36am on January 1, 2009,
Todd Roberts said… - John,
I hope this finds you well,best wishes for a good '09...Thanks for all the great music.Todd (I'm the guy who killed the bat at Kamp a summer ago,our shared memory)....Peace
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