"Hey Ray, Thanks for checking back in with me. I ended up just picking one and think I am very happy with it. Here is what I chose based on several recommendations: The LR Baggs, Para DI, maybe you can read this link on the web to…"
"Hey Dan can I get on the instructors list please? Ray Leeds Home Studio address 12571 WEST MUIR RIDGE DRIVE BOISE IDAHO 83709 EMAIL--RLEEDS@CABLONE.NET PHONE--208-794-4952 Hartz Music 208-884-8312 thank you"
"Hi Dan, I wanted to say thanks for setting up this sight first. I have some questions about how Bryan Sutton and David Grier are getting this incredible tone on recordings. I've been recording for years and I have my own thoughts about it but…"
"Hey Russ, I cant tell you how much you have influenced me over the years! I learned a lot of Moving Pictures years ago and still find myself playing and thinking more melodic as a result. I also teach out of your 20 flatpicking tunes. Probably…"
"Hey Bill, This K&K is reasonable priced and is getting good reviews. Get one installed and then just get used to it. No matter what people say about the next greatest pickup to come out. Just get used to what ever you purchase. Don't spend…"
"Hey Bill, I'm also new to this magazine. I have had a lot of different pickups in my guitars and I've been a sound engineer for many years. When you plug in an acoustic instrument it will feel like a different instrument to you. Be Ware!…"
Russ Barenberg,David Grier, Tony Rice,and Bryan Sutton would have to be at the top of my list but lets not forget all the names before them.Doc,Clarence,and Dan to name a few. The list goes on and on. On the instructional side of things Steve Kaufman hands down has the most material and variety for all levels of playing. Bryan Sutton's dvd has more of the current Bluegrass style mixed with the old bluesy Tony Rice. Also technical rhythmic clecha's that make up the new sounds of flatpicking. Sweeping triplets and lots of hammer on and pull off ideas that make up the newer sound. Also using interesting chords throughout the standard chord progressions has become a staple in the more recent developing styles. Try listening to Bryan Sutton and David Grier for example. You should notice how much more interesting or should I say more complicated their arrangements sound. Although it's not more complicated it's just newer sounding as apposed to the older straight up standard arrangements.
Favorite Flatpicking Tunes
Whiskey Before Breakfast, St. Ann's Reel, Liberty, Soldiers Joy, Red Haired Boy, Fiddlers Blues, Leather Britches, Decision at Glady Fork, Temperance Reel, Forked Deer, Smiths Reel,Golden Slippers, Blackberry Blossom, Beaumont Rag, Dailey's Reel, Ashokan Farewell. It's hard to name your favorite tune when you love them all. Wish I had time to learn one every day.
Gibson Advanced Jumbo ( The Bone Crusher)
Tell us more about yourself (place a Bio here if you wish)
Originally from Tulsa Oklahoma till I was nineteen. Then moved to Boise Idaho. Fell in Love and been here every since. Love the area but miss the bass fishing.
Thanks for the kind words! You probably know more about 'sound' itself than I do, but here's my basic formula:
Pan your lead and rhythm tracks as much as you can stand it to separate them, and you won't get so much midrange wash that causes one to play too hard or want to make things too bright to 'cut through';
I never use any compression ever if I can avoid it; I try to play evenly enough with enough dynamics: I feel I've not done my job if I need very much compression at all (and it sounds very un-natural to me)
I tend to not mic too close (very subjective) to get a little breathy room sound;
Maybe a little reverb to inspire, but almost never on any fiddle-tune type speeds
Keep in mind, as you probably know, you can take one ear off your headphones and hear your guitar acoustically; sometime I'll pan the track I'm listening to all the way to the ear I'm listening with to avoid any 'bleed' from the dangling earpiece;
Hope this is helpful
Hey Ray, Thanks for checking back in with me. I ended up just picking one and think I am very happy with it. Here is what I chose based on several recommendations: The LR Baggs, Para DI, maybe you can read this link on the web to it.
Found a solution to an often mentioned problem when having installed a piezo type bridge plate pickup transducer. The consensus of several Internet responders who have done this is that while the sound from strings 2 through 6 is good, the high e-string is way too quiet with no real ring, sustain, etc. Some have suggested moving the transducer for that string away from a brace, Adding a 4th transducer, a not so easy job, etc.I recently installed a JJB pickup (jjbelectronics) in a 40 year old…See More
I play two-thirds of a guitar. I have some wrist issues with fretting the 6th string. I enjoy finger picking but have been an avid follower of Flatpicking Guitar Magazine for about 6 years. I find Dan Huckabee's beginners arrangements great for the bari-uke. I have also found much of Adam Granger's work suits my DGBE tuning.I once took a class from Dan Miller in Palo Alto, California and he told me that his daughter was playing the baritone uke. I have e-mailed Adam about his new FGM…See More
"I have a left handed Blue Chip TAD 3R 40 pick and I find it a great pick to use, no scraping and quick on the strings. The only problem is that the tone is quite bass-y which is great for lead picking or Mandolin but not so good for rhythm…"