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Tom Hanninen
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Tom Hanninen's Discussions
Why isn't there 2 1/2 steps between every string?
5 Replies
Started this discussion. Last reply by Folksinger Sep 26.
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To My ear, it makes it ring.......sweetly but I have the V for vintage,,,they forward shifted the bracing as well.
Hello Folks,
Unless I'm mistaken the only difference is the inlay and the top bracing is scalloped?
Is this correct? If so, what does the scalloping do?
Thanks,
Tom
Here is a group for people who have Martin Guitars, or is looking for one, or if you just really like Martin Guitars!
Maybe this will help...
http://rivercitidan.ning.com/profiles/blogs/why-is-the-guitar-tuned-like
I am currently working through Russ Barenberg's, "Exploring the Fingerboard" series. So far it has been a great method to work on practicing understanding the fretboard. I then work whatever music I'm currently working on.
Thanks,
Then why would people be interested in different tunings, to make it easier to play a different set of chords or just a different type of sound?
Tom
tune your guitar like this and you will see...
It is just not convenient for a human hand.
I'm not sure anyone really knows exactly why we tune the way we do.
With the proposed tuning EADGCF we would still have five patterns that move up the neck (they'd just be different than the ones we know now) but with the second string tuned to B...
Hey Folks,
This has always been a curiosity to me and I can't seem to find an answer.
There are 2 1/2 steps between E -A, A-D, D-G, but then 2 steps from the G to the B string and then 2 1/2 again from B-E. Why wouldn't the strings go E,A,D,G,C,...
Peter,
Did you find Clark Kessinger's "Old Time Fiddle and Guitar" on iTunes? I just tried and they said it wasn't available in the US.?? Odd...
Thanks,
Tom
This group is for members who are working with the 8-Volume Flatpicking Essentials course written by Dan Miller and Tim May. This is the place to meet others who are working with the course and share your arrangements.
This group is for discussing theory, harmony, and breaking down the walls of trying to better understand musical concepts.
A companion forum to my column in Flatpicking Guitar Magazine. Discussion will include fingerboard harmony, practice techniques, swing and jazz styles, all with a goal of achieving constant improvement.
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Here is a group for people who have Martin Guitars, or is looking for one, or if you just really like Martin Guitars!
This group is for members who are working with the 8-Volume Flatpicking Essentials course written by Dan Miller and Tim May. This is the place to meet others who are working with the course and share your arrangements.
Here's the place to discuss and showcase our favorite gear.
This is a group for all fans of Tony Rice, and those who appreciate all that he has contributed to the world of acoustic guitar flatpicking.
This is the place for those of us who love Norman Blake! Feel free to comment on Norman's technique, albums, instruments, philosophy, concert performances, or anything else that is Norman related.
This is one of my favorite musical snapshots as it shows the concentration and interaction among the players. The photo captures the moment at just the right time!
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